“All To You” is a heartfelt testimony and thanksgiving song celebrating the ups and downs of life’s seasons. Joshua Kesler was born and raised in the UK and is of Jamaican heritage. He released his first single, “Lift Him Up” in 2013. Followed by 3 Albums. His vocal talents have taken him into Prison Ministries, Music Venues, Festivals in the UK, Caribbean & USA, as well as charity fundraisers. Still on the road to recovery following a road traffic accident in 2020, with temporary loss of sensation in his limbs, he continues to forge ahead.

Noel Robinson is a multi-award-winning international worship leader, music pastor, songwriter, and
producer with over 20 years of experience whose mandate is to see the body of Christ rise up in worship,
intercession, and unity in this generation. Both artists have celebrated “firsts” along their musical journeys. Joshua was the first UK Reggae Gospel artist to appear on BBC’s Songs of Praise, and Noel was the first British-born Worship Leader of African-Caribbean heritage signed to Integrity Music.

All To You is set to a steady and tight reggae beat with a warm bass line, provided by the award-winning production team of Stuart Green and Keziah Job of Hammond and Harmony Productions. The lyrics of All To You are something that we can all connect with.

Better known for anthems like Rain and Build My Life, switching lanes to bring you this musical piece, Noel
Robinson had this to say: ‘It’s a real honour to be able to stand with Joshua and sing a song, simply because the Bible says that we overcome by the blood of the Lamb and the word of our testimony .’

This all-round musical team of artists, musicians and producers, in collaborating, has not only presented something musically beautiful to listen to but has also paid homage to their Jamaican reggae roots as offspring of the Windrush generation.

Stream/Download ALL TO YOU

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NEW YORK, N.Y. -For decades, reggae has remained one of Jamaica’s most influential cultural exports. Its rhythms, language and global reach have shaped how the world understands Jamaican identity. Yet when the sound entered Christian spaces as gospel reggae, it was not always welcomed.

Some churches associated reggae with secular culture or spiritual traditions they considered incompatible with Christian worship. Consequently, gospel reggae was often required to defend its legitimacy before it could be accepted as a vehicle for praise and ministry.

That resistance has not disappeared entirely, but the conversation is changing.

Listeners in Jamaica and abroad are increasingly recognising gospel reggae as more than entertainment. For many, it communicates faith through a musical language that feels familiar, culturally rooted and authentic. This is particularly important for younger audiences who want to embrace Christianity without feeling disconnected from their Caribbean identity.

The genre’s expanding influence also makes it difficult to regard gospel reggae as a marginal movement. Guyanese singer, songwriter and musician Samuel Medas has become one of the names closely associated with contemporary Caribbean gospel music. His international reach demonstrates that the genre’s influence is not confined to Jamaica, but forms part of a broader Caribbean Christian sound.

Christafari offers another compelling example. The group has spent decades using gospel reggae as its primary vehicle for evangelism, taking its music and Christian message to audiences across national, linguistic and cultural boundaries. Its ministry shows that reggae can carry the gospel far beyond the communities in which the sound originated.

Across the Caribbean, Africa, Europe, Central America and other parts of the world, gospel reggae is becoming an increasingly visible force. Digital platforms, international tours, festivals and non-traditional ministry spaces have allowed the genre to reach listeners who may never encounter conventional gospel music inside a church.

This growing reach reveals that the debate surrounding gospel reggae is about more than musical preference. It reflects a continuing negotiation within Christianity over culture, tradition and change. The genre stands at the meeting point between inherited worship practices and contemporary cultural realities.

That tension should not necessarily be viewed as a threat. It may instead signal a period of transition. Gospel reggae is being debated because it is being heard, and it is being heard because people are responding to it.

Increasingly, the genre is being evaluated not only by its sound, but by its fruit. Testimonies of spiritual encouragement, transformation and renewed engagement with faith are challenging the belief that one musical form is inherently more sacred than another. When the message remains grounded in Christian teaching and the music is approached with excellence, opposition based solely on style becomes harder to sustain.

The question is therefore no longer whether gospel reggae belongs in the wider conversation about Christian music. It is already present in Jamaica, across the Caribbean and throughout the world.

Reggae has always carried the voice of the people. Gospel reggae directs that voice toward faith, testimony and hope. It is creating room for itself not through force, but through its ability to connect culture with the message of Jesus Christ.

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NEW YORK, N.Y. – For years, Cario Young found fulfillment behind the scenes, producing music and helping other artists bring their visions to life. Stepping into the spotlight was never the objective. Yet with the release of his debut album, New Day, the Canadian-based Jamaican gospel recording artist is embracing what he believes is a higher calling; one that places his own voice at the forefront of Kingdom music.

For Young, New Day is more a declaration of purpose than merely the title of a song. It means a new beginning for me. It is a new wave, a new direction, a new approach,” he said. “Musically, it is me moving from behind a computer desk to embrace my calling as a recording artist.”

That transition, however, was not born out of comfort. It emerged during one of the most difficult seasons of his life.

Young admits that a series of painful experiences involving friends, family and people he trusted left him questioning everything.

“I felt so betrayed by the people around me and I almost walked away from it all,” he recalled.

Instead of allowing disappointment to silence his creativity, Young allowed it to shape it. He began experimenting with reggae music, and unexpectedly it resonated with listeners, creating what he describes as “a demand for more authentic reggae.”  He embraced the moment and used it to lay the foundation for what would become New Day.

The result is an album that does not shy away from life’s complexities. Throughout the project, Young explores themes of betrayal, perseverance, hope and spiritual renewal, while consistently pointing listeners back to the truth of Christ.

“My approach is always that life is real,” he explained. “Whether we are Christians or not, we face life on a real level.”

This philosophy has become central to his songwriting. Without presenting faith as an escape from life’s struggles, Young is using gospel music to engage those realities honestly while remaining firmly rooted in Scripture.

“I believe it is our duty to make the Gospel relatable,” he said. “We have to find ways to fulfill our mandate of winning souls without compromising on the biblical truths.”

Helping translate that vision into sound was veteran Jamaican music producer Canute, whose years of experience in the industry gave him an immediate appreciation for what Young was building.

“What stood out most was that Cario wasn’t just making music; he was carrying a message,” Canute said.

Recognizing that from the outset shaped his entire approach to producing the album.

“I knew my role wasn’t just to produce songs, but to help build a sound that matched the weight of what he wanted to say,” he explained.

That philosophy is evident throughout the Album. Instead of relying on production to dominate the listening experience, Canute intentionally crafted arrangements that allow Young’s message to remain the focal point.

“I wanted a sound that carried the weight of what Cario was saying,” he said. “Every musical moment pointed back to the message instead of competing with it.”

For Canute, whose production career has spanned years within Jamaica’s music industry, that commitment to purpose is what ultimately distinguishes New Day.

“It wasn’t created to chase trends,” he said. “It was created to serve people.”

That shared commitment between artist and producer gives New Day its identity. While reggae provides the musical foundation, the album’s heartbeat lies in its message, one that acknowledges life’s disappointments without losing sight of God’s promises.

Asked what he hopes listeners will remember after hearing the album from beginning to end, Young’s answer was neither elaborate nor complicated.

“God will sustain you,” he said. “He made it a promise that He will take care of us if we allow Him to.”

It is a fitting conclusion to a project that was born from hardship but anchored in hope. With New Day, Cario Young introduces himself not simply as a recording artist, but as a storyteller committed to creating music that reflects real life while pointing listeners toward an unchanging Christ. For an artist who spent years helping others find their voice, this debut marks the beginning of his own journey to becoming that which the Lord has ordained him to be. More than a voice or simply another artist, Cario Young has emerged as a storyteller whose music resonates across the full spectrum of the human experience, reminding listeners that no matter the season, every new day begins with Christ.

The post Cario Young Steps into His Calling with Debut Album New Day appeared first on Reggae Gospel 360.

Day one opened up with a wonderful time of praise and worship at the impressive First Alliance Church, followed by a Panel Discussion from Industry Professionals, moderated by the multi-talented Maxine Reyes, who flew in from Japan, where she now resides. Attendees also sat in on a songwriting session and learnt about the relevant Canadian music bodies to register with.

Multi-award-winning Praise & Worship Leader and Artist, Noel Robinson from the UK, also held a leadership workshop, sharing his knowledge and experience gained through years of serving in the house and touring around the world was priceless.

Other attendees from the UK included Joshua Kesler, nominated in 2 Categories.  A former UK resident, now residing in Seattle, Toyin Adekale, was also a nominee.  The evening’s production was a well-attended night of praise and worship from some of the Nominees, with our very own Noel Robinson taking us through many of his well-known songs.

Day Two: The Awards themselves, held at the Martha Cohen Theatre, drew a packed house and featured a red-carpet reception. The musical moments from some of the nominees were well received; there were many categories to get through, as it truly is an international affair. The honorary recognitions highlighted the amazing work many are doing around the globe.

The UK’s Joshua Kesler picked up “Song of the Year” in the Reggae Category with “Thank You For The Cross.” and Noel Robinson was selected “Album of the Year” with “Change the Atmosphere”. 

It was a wonderful moment for all who were awarded that night, hearing their testimonies and the personal sacrifices that accompany spending time, praying, and allowing God and the Holy Spirit to guide them in their gifting. The team is already preparing for 2027.

Follow them for more details. Canadian Selah Music Awards

The post The Canadian Selah Music Awards 2026: Something to stop and think about appeared first on Reggae Gospel 360.

For many gospel artists who transitioned from secular music, remaining steadfast in their faith can present ongoing challenges. Jamaican gospel singer Derrick Scott understands those struggles firsthand, having begun his musical journey as a dancehall deejay before dedicating his life to Christ more than two decades ago.

His latest single, “Deliver Me”, released on June 19 through his independent label, DScott Music, is a honest declaration of perseverance, focusing on resisting temptation and remaining faithful to God’s Word despite life’s trials.

“I was a deejay before I started singing, and sometimes when I look around at Beenie Man and (Lieutenant) Stitchie, I laugh. Me and him (Stitchie) used to learn to deejay around the same time on a sound system in Spanish Town named City Life. And mi sey, ‘how them man a mek money an’ me broke,’ but mi still hold the faith,”Scott shared. “That was one of my biggest temptations. But the fact that I am not drawn into the world by that shows I am withstanding temptation.”

Since embracing Christianity over 20 years ago, Scott has released four gospel albums along with numerous singles. “Deliver Me” not only reaffirms his unwavering commitment to his faith but also honors a promise he made to his late wife, Nadine, to remain faithful to God regardless of the obstacles he might face.

Nadine, whom Scott was married to for four years, passed away in 2022. “After losing her, I was going through a rough time, but my faith in God never wavered,” he said.

A native of Linstead in St. Catherine, Jamaica, Scott comes from a community with a rich musical heritage. The rural market town has produced several celebrated reggae artists, including Phyllis Dillon, Culture, and Scott‘s older brother, Freddie McKay.

Now available on all major streaming platforms, “Deliver Me” continues Derrick Scott‘s message of faith and perseverance.

The post Jamaican gospel singer Derrick Scott latest single reaffirms faith and honours a promise made to his late wife appeared first on Reggae Gospel 360.

Originally from Zambia and now based in Mackay, Queensland, Australia, Gabriel GS Reggae is building an international music career while staying true to his African roots. His music combines authentic reggae rhythms with messages of faith, encouragement and spiritual hope, aiming to inspire listeners across cultures and generations.

Produced by Tonny Breezy and Scot Rose, You Are Good reminds listeners that God’s goodness remains constant, even during life’s most difficult moments. With its warm reggae groove and uplifting lyrics, the song reflects Gabriel’s commitment to creating music that encourages, strengthens and unites people through faith.

For Gabriel, this release represents more than a new single. It marks another important milestone in a journey that began in Zambia and continues in Australia, where he is working to establish himself as one of the emerging voices in gospel reggae while connecting African and Australian audiences through positive, inspirational music.

“Moving from Zambia to Australia has given me the opportunity to share my faith and my culture with a wider audience. My prayer is that every song I release brings hope, encouragement and reminds people that God is always good.” — Gabriel GS Reggae

As Gabriel GS Reggae continues to grow his international presence, he remains committed to producing uplifting reggae music that speaks to the heart and points listeners toward faith, hope and God’s enduring love.

Stream/Download here

The post Emerging gospel reggae artist Gabriel GS Reggae based in Australia releases his new single “You Are Good” appeared first on Reggae Gospel 360.

I have been singing since I was 13. I started off singing lovers rock in school corridors at lunchtime me and my friend putting on small concerts.

I was very shy and insecure and experiencing a lot at home so singing was my outlet and I believed I was ugly because I was constantly told I was ugly at home. I always grew believing there was nothing good about me but my voice.

After leaving school I became a teenage mom at 17 and by the age of 21 I had 3 children. Came to the Lord by the age of 23 but still the same insecurities then and way up to my 40s.

In 2006 I had a thyroidectomy because I had cancer on my thyroid. I couldn’t sing for over 2 years and as far as I was concerned this took away the one thing I thought I was good at…Singing.

When my voice came back by 2007 they operated again saying the cancer had came back and so my parathyroid was removed. Since then I felt I lost my voice forever although I would lead worship and sing solo when asked I became so insecure about my voice as I believed it had changed.

During lockdown I began to feel down and depressed about a lot of things and being shut in made it worse. I lived in the Midlands at the time and decided I needed to go back to my hometown for a while to be with my older children as it was just myself and my younger daughter and already feeling lonely and isolated I drove back to Manchester.

It was then that I felt I need to find Jackie and the only way I felt I could do that was to sing and record in my sons studio at his home. I needed to feel like that 13 year old girl again where I could sing.

I had a backing track that a friend had given me and I’d already loved the song. This song reminded me of how God had kept me throughout every season of my life…my childhood…my teenage years as a mom…my 20s when I got married still not believing I was good enough…my divorce…my cancer…and so much more…

This song reminded me that I was somebody and that God sees me as that. I am fearfully and wonderfully made. 

I recorded the song with my little croaky voice but I recorded it just for myself and for no one else to hear. My son shared it with someone who owned a radio station and it was played on another local radio station and there during lockdown people were brought to tears. People were healed…encouraged…blessed calling me texting me …it became the anthem to keep them going.

I on the other hand had always cringed at the sound of my voice hearing the croaks etc.

But I realised that God took this song to remind people that He is with them no matter what they have been through…going through and about to go through.  He is with us throughout every season of our lives.

This is a snippet of my testimony…there’s so much more…I hope more people will be blessed by this song.

Stream/Download ‘I Sing to You’ released November 2020

The post Jackie Jackson’s debut single ‘I Sing to You’ a song of resilience no matter what you’re going through appeared first on Reggae Gospel 360.

Join Darren Evans-Henry & Essence for their first headline UK gospel concert in London! This exciting London concert will take place at NTCG Willesden on Saturday 27th September at 6pm. The gospel group will be singing old skool Pentecostal choruses with a new skool Essence twist and engaging with a variety of different praise & worship songs, which speaks of their versatility and diversity. You don’t want to miss it.

Darren Evans-Henry & Essence are a group of passionate singers who glorify God through anointed, heartfelt worship. Their goal is to serve as a vehicle for taking all generations into the presence of God, where peace, joy, and comfort abound. Their praise is vibrant and uplifting, and they are empowered by the Holy Spirit to minister in music that transcends generations and backgrounds.

If you love authentic UK gospel music, and you’re looking for a powerful and uplifting gospel concert in London, this is the event for you.

The post Darren Evans-Henry & Essence: UK Gospel Concert in London appeared first on Reggae Gospel 360.

On the 5th of July, UK Gospel group Darren Evans-Henry & Essence released their new single ‘Your Grace Is Sufficient’, it’s their first reggae single as a group, though reggae is a firm favourite and a regular feature at their live concerts. Backed by their resident band, this single has an authentic smooth reggae production and lyrics that will encourage and strengthen your faith in God.

Darren says “Your Grace Is Sufficient is a fresh and vibrant song with a cool reggae vibe. The song carries an uplifting message to remind people of God’s sufficient constant love and grace.”

Inspiration behind the song

“The song was written upon a reflective moment. The realisation of God’s grace constantly surrounding His people is amazing. God is constant and His love never changes, it is undeserved and unreserved for anyone who will accept it. God’s grace keeps us in the lowest of times when we thought we wouldn’t make it. So, I penciled this song to encapsulate this. Jesus is the light of the world, and He offers mankind pardon from sin. I wanted to write a song that carriers the Gospel message. The song is written to God and sung to God as a love letter, but bearing in mind all His children should hear/know about the love and grace of God”. – Darren Evans-Henry, Essence founder

“Darren Evans-Henry is man of God who clearly loves the Lord, and this is evident in his ministry through song, word and deed. A man who’s about his father’s business seeking to win the lost. ‘His grace is sufficient’ is such a wonderful uplifting song that reminds us that God’s gift of grace gives us the strength to endure the vicissitudes of life. May this track be a blessing to the masses that will hear it.” – Award Winning Gospel Minister Joshua Kesler

“Nice uplifting sweet gospel reggae vibes sure to make you move”! – Gospel creative and Preacher Isaiah-Raymond Dyer

Stream/Download: https://songwhip.com/darrenevanshenryandessence/your-grace-is-sufficient

The post UK Gospel group release their debut reggae single appeared first on Reggae Gospel 360.

New Music

On the 30th of May 2024, award-winning singer songwriter Sandra Godley OBE released her first reggae gospel collaboration, a second remix of her self-penned song ‘My Darling’. The reggae version has a calm feel to it, with a mid-tempo, contemporary, reflective flow. Producer Stuart Green and Co-producer Keziah Job known as Hammond and Harmony productions are the creatives behind the project.

The story behind the Reggae remix

The idea for a remix came about in October 2022 when Sandra attended the International Music Summit in Seattle Washington, founded by Dr Carol Crawford. Co-producer Keziah Job heard the single at the summit and the inspiration came for the project, being Sandra’s first reggae track, she excitedly embraced the opportunity.

Media coverage

My Darling is a song about the pandemic losses originally released in August 2021 during the height of Covid 19, the song received media coverage on popular British television network ITV News among other media outlets. Other adaptions of the song include an Orchestral remix in December 2021, Sandra Godley has been involved in numerous charity work regarding grief, loss and hope, she performed My Darling (Reggae Remix) for the first time at the Godiva Festival on the 7th of July.

Inspiration behind the song

“I lost my aunt to Covid, none of our family were able to say goodbye to her. As a songwriter I struggled to put words to song and one day the words just came whilst I was using my computer. The words were like rain drops bouncing on my head which eventually caused me to be in floods of tears. Although I reflect on the journey of grief there is hope in the song with words such as”.

“I’m learning to live again”

“Grief won’t destroy me”

“Feel the depth of emotion with a remix that beautifully weaves sorrow and sound into a beacon of brighter days ahead”. – Sandra Godley OBE

Quotes from Dignitary and Industry Professionals

“Sandra’s passion radiates through her music bringing energy and emotion to abiding life-giving themes”. – Christopher Cocksworth, Dean of Windsor, former Bishop of Coventry

“Sandra has delivered one of the best British gospel albums in a long while”. – Cross Rhythms

“Audio Velvet”. – CMW

“Even hiding, in my corner, the pain still finds you” These are heartfelt words, delivered beautifully by Sandra Godley. This song touched the four corners of the Studio during the recording, and we pray it touches you too”. – Hammond and Harmony Productions

Stream/Download: https://songwhip.com/sandragodley/mydarlingreggaeremix

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